Body Pulse (2025)
Engaging with gesture and environment, the works of Emily Kelly and Xuanlynn Wang unfold within a field of material awareness. Their distinct practices converge in a shared exploration of how bodies and materials shape our collective perception and experience through nature.
Through tactile processes and layered material vocabularies, the exhibition offers a space where boundaries blur, and perception becomes porous. Within these delicate constructions, surfaces accumulate gestures, materials become carriers of memory, and at a certain point, calm takes over from transformation.
15.03.2025-25.04.2026 Entry Gallery (BE)
Photographer Guinness Vanhellemont
Engaging with gesture and environment, the works of Emily Kelly and Xuanlynn Wang unfold within a field of material awareness. Their distinct practices converge in a shared exploration of how bodies and materials shape our collective perception and experience through nature.
Through tactile processes and layered material vocabularies, the exhibition offers a space where boundaries blur, and perception becomes porous. Within these delicate constructions, surfaces accumulate gestures, materials become carriers of memory, and at a certain point, calm takes over from transformation.
15.03.2025-25.04.2026 Entry Gallery (BE)
Photographer Guinness Vanhellemont
Environmental Consciousness (2024)
The Environmental Consciousness Hypothesis assumes that the world’s environment in which we live exists within environmental consciousness. These resemble invisible and omnipresent elements surrounding our bodies, consistently generating inputs that are processed in our subconscious through breath, movement, and experience.
How the environment influences our consciousness and perception of reality, thereby reshaping our cognition and reconstructing contours and textures in art. Beginning with analog photography, documenting the diverse appearances and details of various cities. The photographs are then embedded in wax—a material chosen for its natural
solubility, plasticity, and reusability—creating various forms and textures. By reconstructing space and material through these synthetic environments, inviting viewers to explore the relationship between humans and their surroundings, engaging them in a sensory experience.
28.09-19.10.2024 LifeisArt Gallery (BE)
Photographer Guinness Vanhellemont
The Environmental Consciousness Hypothesis assumes that the world’s environment in which we live exists within environmental consciousness. These resemble invisible and omnipresent elements surrounding our bodies, consistently generating inputs that are processed in our subconscious through breath, movement, and experience.
How the environment influences our consciousness and perception of reality, thereby reshaping our cognition and reconstructing contours and textures in art. Beginning with analog photography, documenting the diverse appearances and details of various cities. The photographs are then embedded in wax—a material chosen for its natural
solubility, plasticity, and reusability—creating various forms and textures. By reconstructing space and material through these synthetic environments, inviting viewers to explore the relationship between humans and their surroundings, engaging them in a sensory experience.
28.09-19.10.2024 LifeisArt Gallery (BE)
Photographer Guinness Vanhellemont
VOGUE Taipei (2023)
10’s of non-being selected in the talented artist category
13.05-21.05.2024
Huashan 1914 Creative Park - M4A Red Wine Factory (TW)
Photographer Jon Hsi
10’s of non-being selected in the talented artist category
13.05-21.05.2024
Huashan 1914 Creative Park - M4A Red Wine Factory (TW)
Photographer Jon Hsi
To be a plant in the gallery (2021)
The similarity between the vein from the footprint and the annual rings of the tree is the epiphany for the artist, Xuan-Lynn Wang, to address herself as a plant in “To be a plant..” her first photography and performance collection in 2020. She endeavors to question the beauty behind the organic nature world and search for the meaning of what the natural environment brings to her. Lynn’s artworks focus on integrating and combining the natural environment, which is represented by the materials, and the body that is captured by photography which projects a new perspective. Between these art forms, she creates a new language of visual art. From a first-person perspective being a plant, she explores her body’s print to create a vast archive of images - the truth in the beauty of the body.
04.09-25.09.2024 LifeisArt Gallery (BE)
Photographer Xuanlynn Wang
The similarity between the vein from the footprint and the annual rings of the tree is the epiphany for the artist, Xuan-Lynn Wang, to address herself as a plant in “To be a plant..” her first photography and performance collection in 2020. She endeavors to question the beauty behind the organic nature world and search for the meaning of what the natural environment brings to her. Lynn’s artworks focus on integrating and combining the natural environment, which is represented by the materials, and the body that is captured by photography which projects a new perspective. Between these art forms, she creates a new language of visual art. From a first-person perspective being a plant, she explores her body’s print to create a vast archive of images - the truth in the beauty of the body.
04.09-25.09.2024 LifeisArt Gallery (BE)
Photographer Xuanlynn Wang
